Dutch painter (b. 1594, Haarlem, d. 1680, Haarlem). Dutch still-life painter. His excellent studies of tables laden with food, called ontbijt still life, are seen in many important European galleries. They are characterized by delicate lighting effects and somber colors.   Related Paintings of HEDA, Willem Claesz. :. | Still-life with Gilt Goblet sg | Breakfast Table with Blackberry Pie (detail) stg | Stilleben mit Schinken | Breakfast of Crab | Still-Life dg |
Related Artists:
Joseph-Noel Sylvestre
(1847-1926) was a French artist, notable for his studies of classic scenes from antiquity. He was born in Beziers in South-West France on 24 June 1847, training as an artist first in Toulouse under Thomas Couture, then at the École des Beaux-Arts in Paris under Alexandre Cabanel. He was an exponent of the romantic Academic art style, also known as art pompier (fireman's art), examples of which are the Death of Seneca (1875), The Gaul Ducar decapitates the Roman general Flaminus at the Battle of Trasimene (1882), The Sack of Rome by the barbarians in 410 (1890) and François Rude working on the Arc de Triomphe (1893).
ulrika melin
Ulrika Drufva, född 1767, död 1834, var en svensk textilkonstnär, ledamot av Fria konsternas Akademi. Ulrika Melin var dotter till major Lars Melin, syster till generalmajor Henrik Georg Melin och från 1788 gift med ståthållaren på Västerås slott Peter Thure Gerhard Drufva. Melin var konstnär och "egde en ovanlig skicklighet uti att sy landskap". Hon invaldes i akademin år 1784 för ett arbete i vit satin, inspirerad av Claude Lorrain.
GIRARDON, Francois
French Baroque Era Sculptor, 1628-1715 François Girardon was born at Troyes on March 17, 1628. He studied in Rome for an undetermined period of time between 1645 and 1650. He then studied at the Royal Academy in Paris and was admitted to the academy as a member in 1657. Much of Girardon's most important work was executed for King Louis XIV and consisted of major commissions for the palace and gardens of Versailles. One of Girardon's most famous productions is Apollo and the Nymphs of Thetis in Versailles (1666-1672), originally designed for a grotto there. This elaborate project of seven separate marble statues depicts the god Apollo surrounded by nymphs, and it exemplifies with exceptional clarity the French interpretation of the baroque style in sculpture, an interpretation that rejected the fluid, dramatic, and emotional Italian baroque in favor of a cooler, more sober approach based upon the sculpture of antiquity. The Apollo group is filled with references to Hellenistic and Roman sculpture, and while Girardon was working on the commission he made a second trip to Rome for inspiration from antique sources. The ancient world, however, had never attempted to assemble several large pieces of free-standing sculpture into one unified composition, and in solving this problem Girardon had recourse to the paintings of Nicolas Poussin, the great French baroque classicist. The classicism of the Apollo group conformed fully to the official style of the French Academy and the personal taste of Louis XIV, but the composition has many baroque elements. The vigor and variety in the movement of the figures, the rich textural contrasts, the grand scale of the project, and the dramatic use of space are all stylistic qualities that firmly link the work to the international baroque style. One of Girardon's most important works is the tomb of Cardinal Richelieu in the church of the Sorbonne, Paris (1675-1677). This monument shows the dying prelate in a semireclining position, his vestments falling in broad curves that are echoed in the draperies of the allegorical figures at the head and foot of the tomb. As originally placed in the church, the monument was freestanding so that the spectator was compelled to enter into the action of the work - a typical baroque compositional device. Girardon's most significant late work was a majestic bronze equestrian statue of Louis XIV (1683-1692) executed for the Place Vendôme in Paris and based upon the famous Roman equestrian monument of the emperor Marcus Aurelius.